The Ephemeral City

vii

 

a beckoning gesture shooing away

                                                               raking light inches abstractions along crumbling facades   

         as yet another sun streams through melted sand

                                            washing desiccated tesserae clay layered one atop another peering and hidden

in the vast dyed ocean split like a cracked book bleached bone

cicadas rub their wings across wading tongues and whispering corridors and shouting stones

workers whistle and grimace tasks weaving crowds of bobbing heads

                                                                           bells sound their times making minutes

               an eternity of shimmering water laces spun glass

                                                      somewhere far away, great fish stir the ocean waves to frothing peaks that touch the sky

                                                                    and travel the world to here in quiet crooks and columns

                                                       diminishing in a thousand little lapping leaks of light

                                                                        on a thousand burnt brown bricks heavy with eyes

                 shutting night in a jungle of blind closing cornered buildings

                the tide turns the odors of the day

                                                          rivers are churned to convoluted courts

                    saints and angels gesture slow as stones

                  and as emphatically as whisked fresh cream

                                              mordant stained lives are dipped rush, waddle, wander, wait.

                                                          who am I to here sinks in exaltation

                                                  a day, a week, a dungeon, jilted generations and gilded millennia make repose

       a pigeon sniffs a promenade around a soundless sleeping dog

                                                                    gulls parade shadows across stony western faces

                                                                            and multitudinous, circle down in a thousand bubbled mirrors on sweaty orange glasses

                                                                      art everywhere, holds and presents.

words drift and press to frame fabric folios brimming with watery thoughts

                                             ink spreads with convictions through paper veins

a clenched fist needles laced light through bronze fern forms

                                                                            the ground beneath our feet fragmented firmly false

everyday, dark weighs light, silence sounds clamber, wealth bloats a floating corpse

        swollen with desire, a gold gilt balloon bobs in the web of waves

                                       patinaed statues strike the hours waking wonder to quickly fade to charm

                                                                                                  a barrel of sweets recalls sickness to the stomach

                  so best to safely stay, truth nestles its home hidden in infinity

                                                 we squint through Apollo’s masked mirage and cannot say but sing

                                                                             we may be, we may be,

                                                                                             we are swimming in the shinning sun.

 
 
 

"The Alarm" Akeley's African Elephants

v

“The Alarm”

Akeley’s African Elephants

The American Museum Natural History

“The Alarm”

Taxidermy

(East African Elephant Herd)

Carl E. Akeley

1915-19

 
 

too grand for a box

the dark continent’s marvelous creatures

turn ears and eyes to the centered dais

where lined in grids of polished brass

the ground glows with swirling shadows

as billiard ball children bounce across the grand dark room

prodded by a force as real as innocence

flashlights frame a million widening eyes

as silent trumpets sound the frozen alarm

our beautiful giants encircle their young

the tornado strolls around its weekend charms

and swells to fan the growing flames

 

Click on above image for video

Constable's Clouds

 

vi

“Cloud Study”

John Constable

English, 1776–1837

“Cloud Study”

c. 1821–22

Oil on laminate cardboard.

Manton Art Foundation collection

The Clark Art Institute

 
 

were you there

it would cost a tilted head

and all yourself a moment

lofted nothing

fragmented whole

whispered far away

enraptured without dramatics

or pathos full of yearning

or the chanted blood-borne message

or quip wiggled hips waggled

full of nothing fills everything

peach and pale and gray and forever paused

our story sung

plays soft mortar the bricklayer’s perfunctory toil

becomes a dancing wrist

binds souls to a letterhead facade

away drifting skies

fill your lungs with a breath the taste of dreaming

away drifts the sky

and we are frozen here the never

 

 
 

Click for a little tour video from the Tate presented by the founder of the . . . Cloud Appreciation Society.

So English.

 

"Serpent Mask"

v

Serpent or Snake Mask

 

“Snake Mask”

Yacouba Bondé
Bwa, Burkinabé

Wood, Paint and Fiber

c. 2002

168 x 12 in.

High Musuem of Art

Atlanta, Georgia

each foot is pulled beneath its lift

into the flames of the earth

lapping the sky like a flickering shutter

to dance with a tree, a balancing

that shudders up our spines

and falls

don’t look too hard for just one thing

or stare for long far off away

we sense the leaves that shush

with a touch beyond our eyes

the carver dances on a blade

that surfs upon the flaming grain

as ancient waves hiss whispers

in a clap of light left soaring on shinning sky

shocked into a pose too great for us to hold

Click on the image for a video describing the use of the mask.

Click on the image for the Smithsonian’s page describing the mask style. (This is more descriptive than the High Museum’s page.)

 

"Oracle Figure - (Kafigeledjo)"

iv

Oracle Figure

“He who Speaks the Truth”

 

Oracle Figure (Kafigeledjo)

19th–mid-20th century

Côte d'Ivoire, northern Côte d'Ivoire

Senufo peoples

Wood, iron, bone, porcupine quills, feathers, commercially woven fiber, organic material

H. 32 7/16 × W. 14 1/2 × D. 5 1/2 in. (82.5 × 36.8 × 14 cm)

The Metropolitan Museum of Art

who are you am i

the question drapes

across you

travelers face

 

be still to be between

is i am

among that that is

 

the shadow of a drifting feather plays its song upon the rising ground

and frozen wide-eyed wanderings spread curious

imaginings far across our faces

mirroring the fear of choice’s scope

the corners of our mouth pull out

to wrap a noose into a fallen halo

 

desire is a blink

don’t blink

or passing, though I move, I cannot follow

 

patience waits to win its place

closed doors stare stone eyes

 

already it is am i

in you

by the look of you

 

the wordless speaker repeats

listen

listen

listen

what you think is the earth

is but a precipice

we are always here

where you’ve chosen not to see

where you’ve chosen not to see

there yet is always watching

 
 
 

"Leaf from the 5 Surahs"

iii

Leaf from the 5 Surahs

 

Unidentified Artist

Jala’irid Dynasty

Probably Baghdad Iraqi

“Leaf from the 5 Surahs”

Qur’anic Album

c. 1370

ink & gold on paper

Ackland Art Museum, NC

 

loud distance arrives an ancient hush

sharp as it is still

before we pressed our lines in ink

we pressed the soaring bird to feather

a straight smooth hand

points sharp to prove a paper page

to keep the mark maker beyond

their bounds finds a shape

of a still sweeping sight

in the eye of a mind

wrapped in words wrapped

round an eye standing

like strokes to sail

in the silver of the air

in the frame of flowing winds

in the breath of breathless words

on the trust of flightless feathers

the crinkled past unfolds to fill

a dance of reverent celebration

 
 

"The Deluge"

ii

The Deluge

 

“The Deluge”

Benjamin West

1790

oil on canvas

19 1/8 x 28 3/4 in. (48.5 x 73 cm)

Williams College Museum of Art

 

served sufficient sunrises

experiments ripen their own truths

to grease or cool the body’s slickness

mixing time with the upwards air

flight turns the colors of the sky

dark and

hope becomes a rising shadow

as putrefaction’s funks upstage our celestial theater

hope alights again in the shimmering waver

of tossed coins

as the downward glance reveals

the threat of falling fangs to slice the

earth in two.

 
 

"The Unicorn Rests in a Garden"

 

i

the unicorn tapestry

The Unicorn Rests in a Garden (from the Unicorn Tapestries) 1495–1505

French (cartoon)/South Netherlandish (woven)

The Met Cloisters

it isn’t real

unless you can keep it

and then it keeps us warm inside

though all around us

the world is impossibly growing

abundant beyond forever

fecund, fertile, flourishing, flowering, fruit

we want

in order to appreciate

and kill

to curate our impossible richness

at the center of our sight

but to see the magic

of everything that grows

we must accept an end

so far away

it’s hardly real

save that it might fray to tatters

and in its death then whispering

like a truth in the heart of the world

to grow up as if reaching

for a promise from the sky

light-soaked and invisible

that belief in that so beyond us

is the magic that life is worth its costs

keep it in the contents of your hunting eye

searching up

and we are leashed to the happy promise

accepting what may come

is ourselves growing into that which isn’t

impossibly becoming

from so much of what like never was

more than could be imagined

like a contradiction

releasing us from reality’s prison