xxxxix - prelude to its ending

 

49

no home prime

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a prelude to its ending

is ever where we are    

entitled

comfortable creatures

throwing tantrums 

shapes a privilege  

around the inside ocean heaving

with the winds

slowly

is greatly

assured

rising in its undulating

waves

your prow is gilded be sure

the lifeboats have two oars

people

are

weakness

is what we see because

we are predators all

the strength in the world comes

in two forms what

we fear and what's

invisible 

so skyward

heaves the sea equal with

momentum to its falling

it knows

neither

tumult or peace a measure as

if reaching for

itself drawn

flat at its own end 

a prelude

to

the horizons pull

is the romance of our ending 

 

 
 
 
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The Season of Phantasmal Peace

Then all the nations of birds lifted together

the huge net of the shadows of this earth

in multitudinous dialects, twittering tongues,

stitching and crossing it. They lifted up

the shadows of long pines down trackless slopes,

the shadows of glass-faced towers down evening streets,

the shadow of a frail plant on a city sill—

the net rising soundless as night, the birds' cries soundless, until

there was no longer dusk, or season, decline, or weather,

only this passage of phantasmal light

that not the narrowest shadow dared to sever.

And men could not see, looking up, what the wild geese drew,

what the ospreys trailed behind them in silvery ropes

that flashed in the icy sunlight; they could not hear

battalions of starlings waging peaceful cries,

bearing the net higher, covering this world

like the vines of an orchard, or a mother drawing

the trembling gauze over the trembling eyes

of a child fluttering to sleep;

                                                     it was the light

that you will see at evening on the side of a hill

in yellow October, and no one hearing knew

what change had brought into the raven's cawing,

the killdeer's screech, the ember-circling chough

such an immense, soundless, and high concern

for the fields and cities where the birds belong,

except it was their seasonal passing, Love,

made seasonless, or, from the high privilege of their birth,

something brighter than pity for the wingless ones

below them who shared dark holes in windows and in houses,

and higher they lifted the net with soundless voices

above all change, betrayals of falling suns,

and this season lasted one moment, like the pause

between dusk and darkness, between fury and peace,

but, for such as our earth is now, it lasted long.

Derek Walcott